
This probably explains why the cinematic “reboot” phenomenon of the 2000’s decade intrigued me more than it should. More extensive than simply changing lead characters, a reboot involves melting down the component parts of an established film franchise that has run its course and reforging them into a new, yet familiar vision. Successful or not, there’s something about the exercise itself that I gravitate toward. Of course, in addition to being obsessive, I’m also cynical. In my heart of hearts I realize that the decision to breath new life into an otherwise exhausted film series is made on commercial rather than artistic grounds. But that doesn’t mean reboots can’t be done well or aren’t worth the attempt.
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