Friday, February 12, 2010

The Day The Music Died

MTV programming reminds me of Sears stores. I'm not quite sure what they stock in there anymore.

From The Hollywood Reporter:
MTV redesigns logo, drops 'Music Television' (pic)

After 29 years, MTV has redesigned its logo and finally dropped "Music Television."

Basically it looks just like the old logo, only with some cropping. The design is getting flak from bloggers, but this is long overdue. Having "Music Television" on there was just a constant reminder that MTV was branding itself one way, programming itself another. Here's the logo...


Read more!

Thursday, February 11, 2010

No Reasonable Expectation of Change

This CNET news proves that the more things "change," the more they stay the same. BTW, I'm not necessarily knocking the Obama administration over this. It just once again demonstrates how complicated the real world can be.

Feds push for tracking cell phones

...the Obama administration has argued that warrantless tracking is permitted because Americans enjoy no "reasonable expectation of privacy" in their--or at least their cell phones'--whereabouts. U.S. Department of Justice lawyers say that "a customer's Fourth Amendment rights are not violated when the phone company reveals to the government its own records" that show where a mobile device placed and received calls.


Read more!

Tuesday, February 09, 2010

Fire In the Hole

Not that the world has been demanding one, but a company in Dallas, Texas is marketing an electric incinerating toilet called the "INCINOLET."

According to their website:

INCINOLET uses electric heat to reduce human waste (urine, solids, paper) to a small amount of clean ash, which is dumped periodically into the garbage. INCINOLET remains clean because waste never touches the bowl surface. A bowl liner, dropped into the bowl prior to use, captures the waste, then both liner and its content drop into the incinerator chamber when the foot pedal is pushed. You can use INCINOLET at any time-even while it is in cycle.
Seems simple enough. But, I'd read the manual VERY carefully.
Read more!

Monday, February 08, 2010

Alienation

The winners of The New Yorker's "Cartoon Caption Contest #226" were out of this world (in a bad way).



My attempt was only "okay."
"Don’t worry. We ask everyone if they have a latex allergy."
However, the finalists weren't any better:
  • "I’m going to give you something for your humanity.” - ????

  • “There’s a cure—but it’s light-years away.” - relatively bad

  • “You won't have to drive to this clinic. Just wait in your cornfield.” - corny

Read more!

Sunday, February 07, 2010

Sextuagenarian Wasteland

My buddies and I are all growing a bit tired of the NFL once again hiring a band in their sixties for the Super Bowl Half-Time gig. We've got nothing against The Who, Bruce Springsteen, or The Rolling Stones per se. But it's getting comical watching them bounce around onstage as if they were still twentysomethings.

This year's highlight was Pete Townsend's "wardrobe malfunction" as he bared his senior midrift a few times while wailing on his guitar.



On the other hand, Carrie Underwood, in her skin-tight white catsuit, would have kept me from going to the kitchen for another beer.


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Thursday, February 04, 2010

Rocket Man


He's not the man they think he is at home.

Best quote: "The man had been drinking before the accident." No kidding. Really?!

From the Detroit Free Press:
Man, 62, is burned in rocket sled stunt

A 62-year-old Independence Township man remained hospitalized Monday with injuries he sustained after authorities said a rocket-like backpack he rigged to power him on a sled exploded.

Oakland County Sheriff's Office deputies responded to a backyard sledding party in the 6000 block of Townview at 7:35 p.m. Sunday to aid the host, who had burns over 18% of his body, Undersheriff Mike McCabe said.

"Apparently, he has this sledding party every year, and he always does outrageous things at it, but he's never blown himself up before," McCabe said Monday.

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Wednesday, February 03, 2010

Dubya-Cross

I love it when a plan comes together.


(H/T Feinsodville)
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Monday, February 01, 2010

Believe It, or Not

A friend of mine forwarded me this today. It's the top grossing movies of all time, based on inflation adjusted dollars (US and Canada only)
  1. Gone with Wind $1.46b
  2. Star Wars $1.26b
  3. Sound of Music $1.05b
  4. ET $1.04b
  5. 10 Commandments $.98b
  6. Titanic $.96b
  7. Jaws $.96b
  8. Doctor Zhivago $.90b
  9. Snow White and 7 Dwarfs (1937) $.81b
  10. 101 Dalmations (1961) $.75b

Currently, Avatar is 24th ($.56b).


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Friday, January 29, 2010

To Quote Apple: "The Name Stays. Period!"

I think Apple should double down on the name choice and promote the new iPad wireless device with the slogan: "No Strings Attached!"

From the New York Times:

The iPad’s Name Makes Some Women Cringe

When Apple announced the name of its tablet computer today — the iPad — my mind immediately went to the feminine hygiene aisle of the drugstore. It turns out I wasn’t alone.

The term “iTampon” quickly became a trending topic on Twitter because of Tweets like this one: “Heavy flow? There’s an app for that!” A CNBC anchor, Michelle Caruso-Cabrera, said the iPad was a “terrible name” for the tablet. “It reminds me of feminine products,” she said.

“Are there any women in Apple marketing?” asked Brooke Hammerling, founder of Brew Media Relations, a technology public relations firm. “The first impression of every single woman I’ve spoken to is that it’s cringe-inducing. It indicates to me that there wasn’t a lot of testing or feedback.”

BTW, MadTV was ahead of the curve with this 2006 bit (h/t Slant):


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Wednesday, January 27, 2010

Smoke If You Got 'Em

While I didn't find the last season of the SyFy Channel's Peabody Award winning Battlestar Galactica completely satisfying, I was hooked for its entire run. Like Mad Men, the writing was top-notch and explored complex themes relevent to a contemporary audience. Also (and I say this while ducking), as much as I love January Jones, my vote for television's most sexy blond still goes to Trisha Helfer as the iconic "Number Six."

Season One of Caprica, a spin-off of Battlestar Galactica, officially started last Friday with a rebroadcast of the pilot episode. A prequel, Caprica is set 58 years before the original show and concerns itself with the events surrounding the creation of a race of machines that will ultimately revolt against their human inventors.

I bring this up because whenever someone unfamiliar with Mad Men tries to describe it, they invariably list the time-period in which it's set, the clothes worn by the characters and, more often than not, the fact that everyone "smokes all the time." Interestingly, this description could also apply to Caprica. These generic similiarities even promoted one reviewer to write a piece on the new series titled: "Caprica: Like Mad Men with Robots."

...Full Post at Basket of Kisses
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Monday, January 25, 2010

Bored Room

The New Yorker's "Cartoon Caption Contest" (#224) didn't make good business sense.



My entry:

"...and so, to make a long story short..."
At the risk of sounding bitter, none (let me repeat that, NONE) of the winners fit the illustration better than mine.
  • “I say we start the meeting without him.” - fair at best

  • "I'm here to fix the coffee machine." - this just isn't funny

  • "You're right. We'll need a second stimulus plan." - see above

Read more!

Sunday, January 24, 2010

No Country for Old Men

Sigh. Brett Favre was, as they say, being Brett Favre when he threw away a chance at another Super Bowl ring with a 4th Quarter interception off a pass that made absolutely no sense.

Were some of the calls by the refs in favor of the Saints questionable? Sure.

But the Vikings still should have won by 3.
Read more!

Friday, January 22, 2010

As Life Goes On Without Him

"Prostidude?" Would his customers be called "Janes?"

From USA Today:

First legal U.S. gigolo starts work in Nevada

A brothel in a Nevada desert town has hired the state's first male prostitute, a muscular college dropout who abandoned a brief stint as a porn actor in Los Angeles to become the only legal gigolo in the United States.

The Shady Lady Ranch successfully won state and county approval to clear the way for the "prostidude," as Nevada's newest sex worker is already being called. After a slow first week on the job, his first appointments are scheduled for this weekend.

...he created a dustup after telling Details Magazine that his pioneering role in the sex business was "just the same" as civil rights icon Rosa Parks refusing to give up her seat and move to the back of the bus during racial segregation in the U.S. South. Not surprisingly, he has been forbidden from doing interviews after the remarks.


Read more!

Monday, January 18, 2010

When It Rains...

Dallas linebacker Keith Brooking ragged on Brett Favre after the last Viking touchdown that concluded Minnesota's blowout of the Cowboys.

What the hell did Brooking want Favre to do? Hug him?

Luckily, I don't think that Favre heard him because he was too busy winning.
Read more!

Thursday, January 14, 2010

In Space No One Can Hear You Snort

Remember when being called a "rocket scientist" meant you were smart?

Cocaine Found In Restricted Facility Near Shuttle

KENNEDY SPACE CENTER -- NASA is launching an investigation after cocaine was found in one of its shuttle processing facilities.

The discovery caused a large number of workers to be tested before they left for the day Wednesday.

NASA told News 13 that a small amount of while powder residue was found in a plastic bag in the Orbiter Processing Facility Number 3, just west of the VAB on Tuesday. It's the building where maintenance work is done on Shuttle Discovery as it is being prepped for its upcoming March mission.

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Tuesday, January 12, 2010

M.A.D. for Dummies

Andrew Liszewski at OhGizmo posted this vintage Cold War public service poster. It has great advice like placing a newspaper over your head during the blast.

It occurs to me that if you're reading the chart for the first time ONCE the bombs start falling, then it'd be too late to do #6: "Have food and water for several weeks of isolation."

Otherwise, they could have added a ninth one: "Call Khrushchev to negotiate nuclear disarmament."


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Monday, January 11, 2010

Image of the Day

I'm still not sure why more isn't being made of this.

Aaron Rodgers is clearly getting face masked BEFORE the turnover culminating in Green Bay's 51-45 playoff loss to Arizona last night. It should have been a Packer first down plus fifteen yards instead of a Cardinal touchdown.



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Tuesday, January 05, 2010

The Audacity of Irony

To quote President Obama (from the White House website):
"My Administration is committed to creating an unprecedented level of openness in Government."
Meanwhile, C-SPAN has sent a letter to House and Senate leaders asking that negotiations on the health care bill be open to cameras which, as of now, are not going to be (full article).




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Monday, January 04, 2010

Control, Aught, Repeat

Symptomatic of a compulsive streak in my nature, I’ve always been a tad obsessed with seeing the exact moment a digital display on a clock or cell phone clicks off a major milestone. For instance, I often feel a pang of frustration upon glancing down at a car’s odometer to see that it has advanced into a new hundred, thousand, ten thousand, or (heaven forbid) hundred thousand series without my noticing it. If you can recall the extra excitement exhibited ten years ago by New Year’s revelers as 1999 gave way to 2000 even though, technically, the millennium didn’t turn over until the following year, you may be able to empathize.

This probably explains why the cinematic “reboot” phenomenon of the 2000’s decade intrigued me more than it should. More extensive than simply changing lead characters, a reboot involves melting down the component parts of an established film franchise that has run its course and reforging them into a new, yet familiar vision. Successful or not, there’s something about the exercise itself that I gravitate toward. Of course, in addition to being obsessive, I’m also cynical. In my heart of hearts I realize that the decision to breath new life into an otherwise exhausted film series is made on commercial rather than artistic grounds. But that doesn’t mean reboots can’t be done well or aren’t worth the attempt.

Read the Full Post at The House Next Door...
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Check Please

Once again, the results of The New Yorker "Cartoon Caption Contest" (#221), left a bad taste in my mouth.


My caption:
"Surprisingly, their broth is pretty good."

The official winners included:

  • “Let Table Seven know that there will be a slight delay on the risotto.” - too many words for too few laughs

  • “This is why I don't need cable TV.” - seems kinda generic to me

  • “There's always room for cello.” - waiter, there's a fly in my joke

Read more!

Monday, December 28, 2009

Single Boob Theory

If you look closely, you can see Lee Harvey Oswald standing by the dingy holding his Mannlicher-Carcano rifle.

From The Smoking Gun:

TMZ Falls For JFK Photo Hoax

Photo that "could have changed history" actually from a Playboy shoot

In a colossal screw-up, the gossip web site TMZ today published a photo purporting to show John F. Kennedy frolicking on a yacht with a harem of naked women--except that the image actually appeared as part of a November 1967 Playboy photo spread, The Smoking Gun has learned. The TMZ hoax was billed as an "exclusive" featuring a photo that "could have altered world events" had it surfaced prior to JFK's presidential campaign. "It could have torpedoed his run, and changed world history," the site added. In reality, the photo appeared in story about Playboy's "Charter Yacht Party: How to Have a Ball on the Briny with an Able-Bodied Complement of Ship's Belles."

Now that the photo has been so easily debunked, it's fun to watch TMZ's "expert" testify to its authenticity.


Read more!

Tuesday, December 22, 2009

Handle With Care

This is really funny (more details below video).



From Dave Carroll's website:

In the spring of 2008, Sons of Maxwell were traveling to Nebraska for a one-week tour and my Taylor guitar was witnessed being thrown by United Airlines baggage handlers in Chicago. I discovered later that the $3500 guitar was severely damaged. They didn’t deny the experience occurred but for nine months the various people I communicated with put the responsibility for dealing with the damage on everyone other than themselves and finally said they would do nothing to compensate me for my loss. So I promised the last person to finally say “no” to compensation (Ms. Irlweg) that I would write and produce three songs about my experience with United Airlines and make videos for each to be viewed online by anyone in the world. United: Song 1 is the first of those songs. United: Song 2 has been written and video production is underway. United: Song 3 is coming. I omise.

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Sunday, December 20, 2009

Mite Got Your Tongue?

A Jersey Shore joke is in here somewhere...

From Treehugger:
Bizarre Tongue-Eating Parasite Discovered Off the Jersey Coast

There's been a spate of amazing animal discoveries recently--the giant rat-eating plants found in the Philippines, a huge woolly rat discovered in a volcanic crater--and now, yet another creature has emerged that could be right out of a sci-fi film. It's a bizarre creature that survives by eating its hosts' tongue and then attaching itself inside the mouth.

The sea-dwelling parasite attacks fish, burrows into it, and then devours its tongue. After eating the tongue, the parasite proceeds to live inside the fish's mouth. There's a horror film waiting to be made about this thing. Surprisingly, the fish doesn't seem to suffer any severe impediment--just the loss of its tongue--and seems to have no trouble surviving with its new, far uglier tongue.

Read more!

Saturday, December 19, 2009

Iraq, Paper, Scissors

You've got to be f'n kidding me. A billion dollar Defense project penetrated by a $26 software program available on the Internet.

One of my more high-tech coworkers remarked that what the insurgents were doing technically wasn't "hacking" since the drone feeds weren't encrypted to begin with. So, it's more like "listening in."

That's just peachy.

From The Guardian:

US drones hacked by Iraqi insurgents

One of America's most sophisticated weapons in the conflicts in Iraq, Afghanistan and Pakistan, the unmanned drone, has been successfully penetrated by insurgents using software available on the internet for $26 (£16).

Insurgents in Iraq intercepted live video feeds from the drones being relayed back to a US controller and revealing potential targets. A US official said the flaw was identified and fixed in the past 12 months.

...The US air force is responsible for drones in Iraq and Afghanistan, and the CIA for those in Pakistan. The CIA video feeds are reported to have been encrypted, while some of the air forces ones were not.

The Pentagon had been aware of the problem for many years, but had assumed the insurgents would not have the technical knowledge to intercept the feeds.


Read more!

Wednesday, December 16, 2009

Iconoclastic

I haven't seen Avatar yet. Nonetheless, here's my pick for the best animated battle of 2009! (click here)


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Tuesday, December 15, 2009

The New Y2K Problem

Once again, we've rested on our laurels and let another Y2K bug sneak up on us. This issue could loom large over the 2010's, 2020's, 2030's. Only the 2040's seem to offer some hope.

How best to solve the problem of Happy 2010 New Year’s Eve glasses?

We have a problem, Internet. You know how on New Year’s Eve everyone walks around with Happy 2009 (or whatever) glasses? That bunk ain’t gonna fly this year. Try wearing a 2010 pair of glasses: where are you going to look through, the 1? This is a serious situation that demands the attention of our best engineers.

Think about it: these glasses mean big business. Unless you’re prepared to wear wacky glasses like these, where the 2 and 1 are extra small, and the 1 rests on the bridge of your nose. And this isn’t even very elegant: the 2 is going to tilt those glasses to the right like nobody’s business.

Read more!

Monday, December 14, 2009

Sour Note

The 219th New Yorker "Cartoon Caption Contest" results seemed out of tune this week.



My entry was
"I saw these in a discount bin next to the check-out counter and just couldn't help myself. "
The winners were:
  • "Well, where did you think baby grands came from?" - lame

  • "We buy everything in bulk." - really close to mine, but less wordy

  • "I don't play. I just really hate elephants." - this sucks on so many levels

Read more!

Saturday, December 12, 2009

Man's Best Friend

During the dog food focus group Sterling Cooper stages for Caldecott Farms in The Gypsy and the Hobo, Peggy says an interesting thing. When asked why the man conducting the interviews with the test subjects isn't wearing a lab coat, she states that dogs "don't like uniforms."

dogs

There had to be some other significance to the remark. I'm sure that Peggy wasn’t citing a real 1960's study which demonstrated that canines had an adverse reaction to uniforms. Okay, maybe she was. But it seems like more than a passing remark.

Following Peggy's comment, there's a quick exchange between Don and Smitty which establishes that, when describing some object (in this case their dog), people in focus groups are really describing themselves. So, in effect Peggy was saying that people don't like uniforms.

Read More at Basket of Kisses...
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Friday, December 11, 2009

Down with PC OPP

When I first heard about this, I thought it was a joke. But no. Eugene Robinson is most disappointed at Tiger Woods for not having a diverse stable of mistresses.

From the Washington Post:
Tiger's validation complex

...Here's my real question, though: What's with the whole Barbie thing?

No offense to anyone who actually looks like Barbie, but it really is striking how much the women who've been linked to Woods resemble one another. I'm talking about the long hair, the specific body type, even the facial features. Mattel could sue for trademark infringement.

This may be the most interesting aspect of the whole Tiger Woods story -- and one of the most disappointing. He seems to have been bent on proving to himself that he could have any woman he wanted. But from the evidence, his aim wasn't variety but some kind of validation.

Read more!

Tuesday, December 08, 2009

Can You Hear Me Now?

From the "Who the Hell Cares" Department:
Today, while following the restitution hearing for former Detroit Mayor Kwame Kilpatrick, I was struck by how jury rigged the microphone set up looked. Couldn't they have at least put on some fresh duct tape?


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Monday, December 07, 2009

A Boy and His Dad: The Road

Of course, I’m stating the obvious when I point out that turning a well-known literary work into a film can be a tricky thing. There’s always a dedicated group of fans that will balk at any changes made to migrate the work from one medium to another. I tend to fall into that category. Certainly, a lengthy written piece will have to be adjusted to fit into the typical two-hour running time of a film. And this reality may result in taking artistic licenses with other aspects of the narrative. Steven Spielberg didn’t have time in include the scene in Jaws where Matt Hooper shtupps Mrs. Brody. Thus, it’s understandable why he gets a reprieve from a gory death in the shark cage. But I still struggle to discern a reasonable artistic argument for having Hobbs hit a game winning home run at the end of The Natural rather than deliberately strike out as he does in Bernard Malamud’s novel.

Granted, a willingness to judge each respective effort on its own merits is a perfectly reasonable approach too. I get it. I’m just not wired that way.

So, hearing that Charlize Theron was cast in The Road—the film version of Cormac McCarthy’s Pulitzer Prize winning novel set in a post-apocalyptic society—gave me pause...

Read the full post at The House Next Door...
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Saturday, December 05, 2009

David vs. Goliath

Lil' Jimmy Norton pwn's Jesse "The Body." I think Ventura has been the victim of one too many pile-drivers.


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Friday, December 04, 2009

Tip One: Duck

Proving that timing is everything, the January 2010 issue of Gold Digest will feature Tiger Woods, who is currently going through some very volatile (and public) marital woes, and President Obama under the headline: “10 Tips Obama Can Take From Tiger.”

Tee hee.


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Thursday, December 03, 2009

Method to their Madness?

Method, the maker of natural cleaning products touted as NOT containing harsh chemicals such as ammonia or optical brighteners, had to take down it's recent viral video after receiving complaints that the piece trivialized sexual assault.

From Advertising Age :

Method Pulls 'Shiny Suds' Ad After Sexism Complaints

Household cleaner marketer Method has pulled down a viral video roundly applauded by marketers at the Association of National Advertisers annual conference last month and by most viewers who've seen it because of heated complaints from some women who view it as sexist and even condoning rape.

...The video got more than 700,000 views in a week on YouTube and a five-star rating from viewers before Method pulled the plug.


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Monday, November 30, 2009

Retro-Mail

I'm not sure that it's worth $9.95 a month, but I wish I'd thought of it.

From USA Today:

Grandma has no computer? Still send her e-mail

A mailbox containing real mail with real family pictures is about as rare these days as a day without e-mail. But for those who don't use e-mail -- like many of our non-wired grandparents -- there's now a service that sends family news and digital pictures from your e-mail account to someone's snail mailbox for $9.95 a month.

...Sunnygram collects all of the e-mails addressed to her and mails out a weekly, cheery compilation of our messages (large font is an option) with embedded pictures.

Read more!

Friday, November 27, 2009

Guess Who's Coming to Dinner

The Secret Service claims that the gatecrashers to last Tuesday's White House dinner weren't a threat to the president. Whew. For a second there, I thought the lax security was a problem.

From AP News:

Secret Service: Crashers posed no danger to Obama

The Secret Service maintains that President Barack Obama was never in danger at a state dinner after an uninvited Virginia couple got through security, but it wouldn't comment on whether anyone is screened for radiological or biological weapons.

...Michaele and Tareq Salahi went through the same security screening for weapons as the 300-plus people invited to the dinner Tuesday for Indian Prime Minister Manmohan Singh.

Read more!

Tuesday, November 24, 2009

Another Manic Thursday

Great list. Would these be retro-anachronisms? BTW, there's no mention of "Black Friday" either.

From Den of Geek:

Today... according to Freejack

Back in 1992, Freejack predicted what would happen on 23rd November 2009. Did it get it right?

Freejack is a 1992 sci-fi/action film that's based in the future. A future that we've arrived at today. This happens so rarely that we thought it fitting to put a microscope to the predictions that Freejack foresaw for November 23, 2009.

...contrary to all the scientific, medical and technological achievements, another look at the neon date sign shows what our 2009ers surely didn't fail to notice: that no one from the production team bothered to look up what day November 23rd 2009 actually falls on.

You'd think calendars and math were nonexistent in our Nineties.


Read more!

Monday, November 23, 2009

The 12 Scams of Christmas

To highlight the increased crime during the holidays, security company McAfee has come up with the "12 Scams of Christmas" ranging from bogus electronic greeting cards that deliver malware instead of cheer to fake charities that steal your money and your identity which are posted Larry Magid's CNET blog.

The 12 Scams of Christmas
(sung to the tune "The 12 Days of Christmas")

On the twelfth day of Christmas my true love gave to me:

Twelve malware hackers

Eleven e-mail bank scams

Ten passwords stolen

Nine auction site frauds

Eight fake "at home jobs"

Seven holiday lyric sites

Six unsecured wireless shopping sessions

Five fake Cartiers

Four holiday e-cards

Three email friend requests

Two bogus invoices

And a charitable phishing scam...

Read more!

Friday, November 20, 2009

Grey Area (Mad Men 3.13)



After the trauma of the previous week's JFK assassination, Mad Men’s finale took a much lighter approach. Consistent with its title, Shut the Door. Have a Seat offered fans a comfortable chair (or Wentworth) to cool down in after the wild ride of Season Three. That’s not to say important things didn’t happen. They did. And there’s still a lot to be resolved (Sal’s future, most notably). But a lot of loose character threads were tied up. In some cases, I felt these threads were a little too neatly mended as much about Don, Bert and Roger getting “the band” back together seemed a tad contrived.

While all season, Duck Phillips has been trying to coax Pete and Peggy (and perhaps others) to jump ship and join him at his Grey, the ad agency he now works for, it is Don, Bert, Roger and Pryce who actually accomplish this feat. So, it seems worth mentioning that at various points in Shut the Door. Have a Seat, many of the key cast members are uncharacteristically wearing grey outfits. Betty, Peggy and Joan most notably (Betty is "jumping ship" from her marriage while Joan and Peggy join in the new ad agency venture).

Connie tells Don that ad agency McCann Erickson is buying Puttnam, Powell, and Lowe -- and Sterling Cooper along with it. He's terminating his arrangement with Don. "My future is tied up in this mess because of you," Don complains, referring to the three-year contract Hilton's lawyers insisted he sign. It's just business, Connie replies.

The first shot of the episode shows Don waking up. He’ll be facing many surprises this episode: Betty’s affair, the sale of PPL, Peggy’s bitterness toward him, the fact that he really likes the advertising business. Echoing the title, Hilton invites Don to “have a seat.” That invitation will be uttered a number of times throughout the episode.

Connie releases the hold he’s had on Don in the last half of the third season. It’s notable that there will be a later reference to Bobby losing Don’s cuff links. Since these cuff links were a gift from Hilton and, at the time, symbolized Don’s servitude toward Connie, Bobby losing them would seem to show that Don is free. This also shows a parallel between Don and the father figure of Hilton and Don and his own son Bobby.

Conrad further tells Don that he’d be a “prize pig” for the new owners at McCann Erickson. Don's dislike for pork products having been established, his dislike for the new company is well ingrained. Don furthers the metaphor by describing the McCann Erickson shop as a “sausage factory.”

Entering Sterling Cooper, Don flashes back to his youth: Archie Whitman defies the other members of an agricultural cooperative after the price of wheat collapses.

For Don, the situation at Sterling Cooper directly relates watching his father’s struggles with the farm “co-op” from years earlier. As a child, Don seems to have linked the death of Archie Whitman (kicked by a horse) with his decision to give in and sell his at the deflated market rate rather than store it in a silo until the price came up. This would seem to inform Dick/Don’s subsequent efforts to, like Archie's proposed “silo,” avoid “relationships.” However, by episode’s end, Don, a smile on his face, seems to have overcome this as he surveys the new team working together.

Don informs Cooper about the sale and proposes that they buy Sterling Cooper themselves. Cooper resists at first, but then sketches out a potential scenario: Roger would have to be included because Lucky Strike is the agency's biggest account.

Continuing the motif, Bert complains to Don about being woken up for an “emergency” meeting at Sterling Cooper. When Bert expresses reluctance about buying the company back, a frustrated Don tells him to go “back to sleep.” There’s a glass of milk on Bert’s coffee table that’s echoed later when Carla gives the Draper children milk before being putting them to bed. There's clearly a link between Don's efforts to sell Bert on the idea of a new agency and Archie Whitman's attempts to bypass the agricultural co-op.

Don and Cooper reveal their plan to Roger, and Don apologizes to Roger for belittling his contributions to Sterling Cooper. Don learned from his Hilton experience that he isn't an account man, he says. Don's problem, Roger explains, is that he doesn't value relationships.

Before Bert and Don enter Roger’s office, he is on the phone (presumably with Jane) discussing the JFK assassination. There’s a subtle hint about conspiracy theories to come when Roger comments that some high government official (possibly J. Edgar Hoover) is upset that the assassination “happened on his watch.” When Bert and Don do bring up the McCann buyout, Roger echoes Hilton’s pork reference from earlier. He compares Don to “golden pork chop” under new corporate ownership.

The next day, Lane tells Roger, Don and Cooper that McCann is buying Sterling Cooper, but not PPL. Cooper names a buy-back price, but Lane says that McCann offered more.

A lawyer describes for Betty and Henry the difficulty she would have obtaining a New York divorce. "That's why people go to Reno," he says. A Nevada divorce would require Don's consent, but little else. Henry asks Betty not to request a financial settlement. "I don't want you owing him anything," he says.

There’s an interesting bit of dialog linking the action at Sterling Cooper with that at the lawyer’s office visited by Betty and Henry. Just after Roger, Don and Bert discuss why they no longer want to be compelled to join McCann Erickson, the lawyer in the next scene is pointedly discussing “grounds for divorce.” Betty, who wants to leave Don, is wearing a grey suit. In an earlier scene with Don, while informing him of her desire to leave, she is wearing a grey turtleneck. This is not unlike the turtlenecks Duck was wearing when trying to woo Pete and Peggy. The scene at the lawyer's office also echoes the clandestine meetings Duck arranged for Pete and Peggy. For Betty, the idea of getting a “Reno divorce” must seem “tawdry.”

Don has another flashback: Archie, drunk, tells Abigail that he will sell his wheat himself. He heads to the stable. A young Dick Whitman watches as Archie's horse kicks him in the face and kills him.

The Whitman money is kept in a green jar while Don is pointedly shown eating out of a blue container. This is consistent with Season Three's use of green to symbolize a yearning for change (as with Miss Farrell’s maypole dance) while blue represents the status quo. In this case, IF the Whitman’s had more reserve money, Archie wouldn’t have been forced to sell his wheat. In effect, the pragmatic need to put food on the table (blue) outweighed Archie’s desire for something more (green). Furthermore, Abigail is wearing BOTH green and blue. This corresponds to the two paths which have been presented to the characters in Season 3.

"It could be done," Lane says of the scheme to start a new agency, but they'd need Lucky Strike, plus additional accounts for cash flow. A telegram sent that day (Friday) wouldn't be read in London until Monday, giving them the weekend to secure accounts, assemble a skeleton staff and spirit away the necessary materials. "Well, gentlemen," Lane says with a smile. "I suppose you're fired."

Though it’s hard to make any predictions at this point, it would seem significant that the date of Friday the thirteenth is associated with the start of this new venture.

Don tells Peggy about the new agency and outlines what she must accomplish by Sunday evening. "You just assume I'll do whatever you say," Peggy responds. “I’m not gonna beg you,” Don says. "Beg me? You didn't even ask me," she says, declining the proposition.

As mentioned earlier, Peggy forces Don to “wake up” regarding his treatment of others in the office. This informs Don’s later decision to be part of team. Peggy’s remark about not wanting to let Don “kick” her around would seem related to Archie’s accident shown earlier.

Roger and Don visit Pete at home and offer him a role at the new agency. Roger admits that they need his accounts, but says that they also need his talent. "I want to hear it from him," says Pete, looking at Don. "You've been ahead on a lot of things," Don says. "Aeronautics, teenagers, the Negro market. We need you to keep us looking forward." A deal is struck: Pete will be made a partner if he delivers $8 million in accounts by Sunday.

Pete scrambles to find his pajamas when Don and Roger pay a surprise visit to his apartment. Ostensibly, it’s to support his claim of being sick. But, the hurried manner in which Pete throws on his robe is consistent with someone gathering themselves after being thrust awake.

Over drinks, Don tells Roger about the divorce. "So it's true," Roger says. "Henry Francis." Stunned, Don presses Roger for details. ‚ "I thought you knew," Roger says. "I’m sorry I told you, believe me."

Don wakes Betty that night and asks who Henry Francis is. "You never forgave me," Don says. "Forgave what?" she replies. "That I've never been enough?" She won't get a nickel, Don threatens, and he'll take the kids. "I'm going to Reno, and you're going to consent," she says. "You're a whore, you know that?" Don replies, grabbing her nightgown roughly.


An offhand comment by Roger forces Don to “wake up” to what’s really been going on with Betty for the last few months. And when Don does confront Betty about Henry Francis, he gets her out of bed. Also, at one point during the argument, Baby Gene wakes up crying as well.

Meanwhile, Don and Betty tell their children that Don will be moving out of the house. Sally takes the news hard. "Nobody wants to do this," Don tells a tearful Bobby.

Don is wearing an outfit (sweater over a white collared shirt) as was Lee Harvey Oswald when gunned down by Jack Ruby. Don seems to take most of the blame in delivering a damaging blow to his family. They certainly downplay the fact that the divorce is Betty's idea. Don is also being significantly hurt in the process. For this exchange, Betty is wearing a blue sweater (her usual color). In this case, she is putting up a front of normality for the sake of the children.

At Roger's behest, Joan arrives at the office, having already hired movers. She indicates what needs transporting and where to locate it. Don arrives with Peggy, and asks Joan to find him an apartment.



As mentioned earlier, Joan is wearing a grey sweater in this scene. This is an unusual color for her would seem to be linked with Grey, Duck's agency. Again, by poaching employees and clients, they are, in effect, doing what Duck had been attempting to do all season long.

"How long do you think it will take us to be in a place like this again?" Roger asks Don as they depart Sterling Cooper. "I never saw myself working in a place like this," Don replies.

At one point as the group rob the office, a box labeled "Velvetta" is shown being carried away. This could be a sly reference to the book "Who Moved My Cheese" which discusses how business people need to embrace change and be prepared to move to where the job is. The McCann deal certainly moved their cheese and they are taking it back.

"We've been robbed!" shouts Don's secretary, Allison, on Monday morning. Saint John calls and fires Lane. "Very good. Happy Christmas." Lane replies.

Following Allison’s discovery, there’s a quick bit of dialog where she expresses disappointment over the fact that Don didn’t leave a note. One usually associates “notes” with suicides not robberies. So, in a way, Allison’s remark may be linked to Mad Men’s imagery of a man falling down the side of a building. Making the act, in this case, deliberate.

The phone rings in a suite at the Pierre hotel. "Good morning, Sterling Cooper Draper Pryce," answers Joan.

As mentioned earlier, the shot of the principle employees for Sterling Cooper Draper Price interacting in their new "office" is similar to the one of the co-op members in the Whitman kitchen. However, Don now reacts positively rather than negatively to this sight. Also, the hotel office HQ is quite similar to how Duck has been doing business for Grey all season.

Later, Betty sits on a plane with baby Gene on her lap and Henry Francis beside her. Sally and Bobby watch television with Carla. Don exits a cab in front of a Greenwich Village apartment building. Suitcases in hand, he enters the building.

After the heavy scene with Don and the children and what must certainly seem to her as the “tawdry” manner in which she’s dissolving her marriage, Betty sits on a plane to Reno contemplating the larger journey ahead with a less than enthusiastic expression on her face . Conversely, Henry Francis, in the seat next to her, seems fast asleep. It’s been pointed out that Francis is really awake and looking down at something. However, that his posture could be taken as sleep bookends with the first shot of Don sleeping at the episode’s beginning.

Suitcases are commonly used in Mad Men to symbolize a character's life. So, it's significant that the last shot of Don shows him carrying a suitcase as he embarks on a new chapter in his own life.

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Wednesday, November 18, 2009

Miss Charity Umar

Does anyone reply to these emails?????

Hello,
How are you hope fine,
I Want to introduce
my self to you before
i go further,
My Name is charity Umar
from southern part of sudan.
Please i want you to write
me back Because
i will like to have
an a good relationship
with you,so that
we will know each other
very well. so will
you write me back in my
email address
(miss.charityumar@gmx.com)
i have an important
discussion that
i will like to discuss
with you urgently,
so I am look forward
to hear from you soon!
Thanks and God bless,
Miss charity Umar.

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Monday, November 09, 2009

Rude Awakenings

Just posted this to Basket of Kisses. Full recap hopefully up later.

After the trauma of the JFK assassination last week, Mad Men’s finale takes a much lighter approach. Consistent with its title, Shut the Door. Have a Seat offered viewers a comfortable chair (or Wentworth) to cool down in after the wild ride of Season Three. That’s not to say important things didn’t happen. They did. And there’s still a lot to be resolved (Sal’s future, most notably). But more loose character threads were tied up than left dangling. In some cases, I felt these threads were a little too neatly mended as Don, Bert and Roger get “the band” back together. But, perhaps more on that another time.

A common element running throughout Shut the Door. Have a Seat was the idea of losing one’s blinders of blissful ignorance to the shocking light of reality. This is done by literally depicting many of the characters being jolted out of a deep sleep.

...Read More at Basket of Kisses.
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Saturday, November 07, 2009

Good Morning Pirate Radio

Because nothing says "anti-Establishment" like a six-figure ad campaign. Is it me or does it seem like these movies were separated at birth?

Pirate Radio:


Good Morning Vietnam:

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Friday, November 06, 2009

So Shall It Be Written, So Shall It Be Wrong

The results for The New Yorker "Cartoon Caption Contest (213)" demonstrate why I don't enter much anymore.



My submission was just as good as the "winners" (if I do say so myself):

"THIS time make sure to get the film rights and TV residuals."
Two of the finalists seem to miss the point that it's MOSES doing the writing:
  • "It needs a feisty female detective." - sucks

  • "They ignored your first ten. What makes you think you'll do any better with these?" - okay, I suppose

  • "Dear ... diary ... She's ... finally ... asleep.... Oops." - me too, zzzzz

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Thursday, November 05, 2009

No More "Politricks"

I'd vote for Ms. Russell in a second! BTW, I loved her in "His Girl Friday" and "Picnic."


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Wednesday, November 04, 2009

Black and White (Mad Men 3.12)



The question of how Mad Men would depict the Kennedy assassination (if at all) this season was finally answered in the The Grown-ups. Echoing their own confusion, the characters watch the breaking news while suffering the poor reception of their black and white 1960’s era television sets. In Mad Men’s universe, the JFK assassination seems to be the point at which the old and new social paradigms established in the last eleven episodes finally and violently collide throwing characters into a state of flux that forces them (Betty and Pete in particular) to make major life decisions.

Appropriately, there are a number “tantrums” presented in The Grown-ups. Roger’s daughter Margaret, whose about to be married, has a few of them. One could argue that these tantrums are part of the “growing pains” the characters endure after the JFK assassination. Because, in a very real sense, that event did force a dramatically different, more mature perspective upon a blissfully complacent American society.

The Color Blue and The Gypsy and the Hobo depicted Betty as torn between choosing to remain in her established life of domestication (represented by blue) or moving into a new one without Don (represented by green). At the end of The Grown-ups, prompted by the events in Dallas, she seems to have opted for the latter. The last shot of Betty shows her shedding her blue scarf after telling Don that she no longer loves him. Likewise, Pete Campbell, who has shed his tie for a turtleneck, will finally decide to follow a path that radically deviates from the one he had been on.

Lane informs Pete that Ken has been appointed Senior Vice President in charge of Account Services. Although Pete makes his clients feel their needs are being met, "Mr. Cosgrove," Lane explains, "has the rare gift of making them feel as if they haven't any needs."

There seems to be a concerted effort in The Grown-ups to link Pete Campbell with that of Lee Harvey Oswald. Pete’s reaction to the coverage of Jack Ruby killing Oswald’s is quite interesting. By remarking to Trudy such things as “Why even have a trial?” or “Just throw him over to the mob,” Pete seems to empathize with Oswald.

When Pete is first shown, he’s sleeping on his office couch. Because the heat isn’t working, Pete (whose eyes are closed) is cold and clutches at the front of his overcoat. This initially creates the impression of a child. However, his posture also mimics Oswald’s from the famous still photo of the shooting. More significantly, his rifle (Meditations in an Emergency) is prominently placed in the background during the exchange with his secretary. Pete angrily points out to her that the hot cocoa she’s brought him is made with water rather than milk. This sort of distinction is echoed later when an anchorman from a real period news clip repeats Oswald’s vehement claims that a Marxist is totally different than a Communist.

Just before Pete has his fateful meeting with Pryce, there’s a shot of a man entering the office wearing a red plaid hunting cap. This man carries packages into the office. On the day of the assassination, Oswald entered the Texas School Book Depository carrying a package that he told co-workers contained “curtain rods.” The man with the red hat can clearly be seen behind Pete as he makes his way to Pryce’s office. Pete makes a passing, almost angry glance at Ken who, arguably has more of the "Kennedy charisma" which sets up the Pete as Oswald parallel.

Margaret, agitated by Jane's attempts to befriend her, calls Roger and demands that Jane not attend the wedding. Mona convinces Margaret it’s just pre-wedding jitters, and gets her daughter to accept Jane's presence.

This is one of the aforementioned “tantrums” Margaret displays in the episode. She is upset that the new earrings Roger’s wife Jane bought for the wedding are also blue (as in the wedding tradition of “something old, something new, something borrowed, and something blue”). Having Margaret say, in effect, that something blue cannot be “new” is consistent with the color's use as a motif throughout all of Season 3.

Mona plays the role of “grown-up” by angrily telling Margaret “go to your room!”

Margaret also alludes to an Indian custom where women whose marriage plans fall through are set on fire. In The Arrangements, Peggy’s ad for a roommate elicits a crank call from a coworker posing as a prospect whose been disfigured in a fire. Later in the same episode, Sally watches a television news story about the Vietnamese monk who famously immolated himself in protest. So, it’s worth noting that that because Margaret’s marriage ceremony is subdued by it’s proximity to the JFK assassination, one could argue that, in a sense, she isn’t truly married and thus “burned” symbolically. This may also apply to Don, who has marriage problems of his own, and complains at one point how hot it's gotten in the Sterling Cooper offices.

Also note that Margaret is wearing a blue dress for this scene. She feels trapped by having to go to the wedding and only commits reluctantly after Roger’s threats. This is consistent with the idea of blue representing confining institutions, not new ones (the institution of marriage being the ultimate confining institution in Mad Men).

"You're screwing things up," Roger tells Jane, who insists that she is just trying to be nice to Margaret. Angry that Roger won't take her side, Jane locks herself in the bathroom.

Interestingly, Roger seems to have some sort of feline fetish. Jane is wearing an outfit with a leopard-skin collar as was Annabelle Mathis (an old flame of Roger’s) from The Gypsy and the Hobo. Roger will later refers to his ex-wife Mona as a “lioness.”

Trudy arrives home at midday to find Pete, who says that he got fired and is going to call Duck. "Wait, and see how it goes," Trudy counsels.

Just as with the first scene, Pete seems childlike. The manner in which Trudy takes his bowl away seems more like a mother and son than husband and wife.

Pete visits Harry. "There's no future for me here," Pete says.

Pete and Harry are so focused on their individual situations that they’re blinded to the assassination reports occurring right under their noses. It’s as if they suddenly have to confront the wave of change that has always been out there, but never really recognized.

Don, meanwhile, argues with Lane for rejecting a potential replacement for Sal because he is too expensive.

As noted earlier, Don complains about it being too hot. With his marriage in trouble, he may be symbolically feeling the heat of a male version of the Indian custom Margaret mentioned earlier.

Pete and Harry's conversation is interrupted when their coworkers burst in to watch news of the assassination attempt.

Again, much is made in The Grown-ups about the poor reception received in the black and white televisions watched by the characters. This is certainly the case in Harry’s office. Not only is the reception grainy, the verticle hold causes the picture to jump. This serves to underscore the confusion the characters are feeling by the events in Dallas.

Betty sits at home watching television. "They just said he died," she tells Carla. The two cry.

Sally acts like the "grown up" here and consoles Betty. The JFK assassination is an emotional event that serves as a catalyst for Betty's decision regarding her marriage.

Margaret's reaction, "It's ruined" (another tantrum), refers to how the assassination has destroyed her wedding plans. However, in a way, it also applies to loss of the of innocence percipitated in American society by the event.

"Did you give me a hickey?" Peggy asks Duck. "I don't think so," he replies before switching on the television. The two learn that Kennedy is dead.

When Peggy enters the room, she comments on the smoke. This may correspond to the complaints about it being too hot at Sterling Cooper or, like the Indian custom, foreshadow problems for the Peggy/Duck relationship. Peggy is wearing a green blouse. A picture hanging over the bed is of a green field of grass. This reinforces the idea of change being forced upon the characters.

Don arrives home and hugs Betty. He asks why Sally and Bobby are watching the coverage. "Am I supposed to keep it from them?" she says. "Take a pill and lie down," Don says. Everyone will be sad for a while, he tells the kids, but it will all be OK.

On the radio in the background can be heard part of a speech by Governor Rockefeller. This is a subtle reminder about Betty’s love interest Henry Francis who works for Rockefeller.

Pete and Trudy debate whether to attend the ceremony. "It's business," Trudy reasons, but Pete convinces her staying home would be best.

Trudy still wants Pete’s job to work out even though by Pete’s own admission to Harry it’s clear that he has no future with Sterling Cooper. Nonetheless, Trudy is still convinced that Pete should maintain his ties there. She is wearing a dark blue dress. This is consistent with Mad Men’s use of blue to symbolize individuals trying to fit into a traditional construct. Visible just over her shoulder is a green vase (Mad Men's color for change). The Grown-ups forces Trudy to confront that construct.

With many no-shows at Margaret's wedding reception, Roger encourages the guests to sit wherever they please. Henry Francis arrives late. Betty watches from across the room as he receives pecks on both cheeks from a young woman who addresses him as "Daddy."

In The Color Blue, Roger Sterling quotes his ex-wife Mona comparing Don and Betty to the figures on top of a traditional wedding cake. It’s perfectly consistent with Roger and Mona’s dry, cynical, and often spot-on sense of humor. But the observation also pointedly highlights the false premise upon which Don and Betty’s marriage has been built. From that standpoint, the lack of a wedding cake at Margaret’s reception in The Grown-ups is notable. In the context of the episode, this event is depicted as part of the turmoil resulting from the aftermath of the Kennedy assassination. However, that there is no cake for this wedding would seem consistent with how the last few episodes have significantly eroded the foundation of the Draper marriage. Because of Don’s lies coming to the surface and the strong emotions evoked in Betty over JFK’s death, the balustrade of their relationship no longer exists and they aren’t the same “couple” anymore.

Roger searches for Jane and finds her in the reception hall's kitchen watching the news. He wants her present for his toast, but she refuses to join him.

Although Pete and Trudy decide to skip the wedding, many of the other Sterling Cooper staff members attend. From the reception hall’s kitchen, they watch a news report of Oswald being led into the Dallas police station. If one accepts that Pete is a stand-in for Oswald, he certainly couldn’t be in both places at once. Oswald has clearly been smacked around by the police. This is not unlike Pete’s perception of his treatment at the hands of Sterling Cooper management. Among the chatter of wedding guests at their tables can distinctly be heard the comment “He wanted attention, he didn’t fit in.” This ostensibly refers to Oswald but could just as easily apply to Pete.

Betty whose playing at being Don's wife wears a light blue outfit. On her way out, she regards Don and Henry who happen to end up standing next to each other. Betty is clearly being given a choice between the two men. Don has a confident smirk on his face that indicates how clueless he is about Betty's internal struggle regarding her marriage.

Back at their apartment, Roger deposits a drunk Jane in bed and calls Joan. "I had to talk to you," he says. They discuss the assassination. "You're really upset," she says. "What's that about?" he asks. "Because there's nothing funny about this," she replies.

Joan, reminisces about "old" times with Roger on a blue phone.

At home the next morning, Betty screams when Kennedy’s alleged assassin, Lee Harvey Oswald, is shot on live television. Don tries to put his arm around her.
"Leave me alone," she says, pushing it away. "What happened?" asks Sally. "Nothing," says Don.

Don is in the kitchen making a drink (an old fashioned?) when Oswald is shot. Now it is Don and Oswald seem linked in that Don is wearing the same sweater and shirt combination that Oswald wore when killed. Betty's later revelation that she doesn't love him anymore will certainly come as a surprise blow to Don.

Later, Betty wakes a napping Don. She’s going for a drive "to clear my head," she says.

Henry and Betty meet in a parking lot. He enters her car. "Where does your husband think you are?" he asks. "I don't care," she replies. "You don't have to answer me now, but I want to marry you," Henry tells her. The two kiss.

Betty is driving her father's black Lincoln. The same type of car that Kennedy was killed in. It seems significant that Henry pulls up in a white vehicle. One could argue that the shot of the black and white cars side-by-side parallels the characters watching the history unfold on black and white TV sets. White is also the color of the car in the Aqua Net ad featuring passengers in a convertible similar to the Kennedy death car. Thus, both cars have a connnection to the assassination.

"Why even have a trial?" asks Pete as he and Trudy view a slow-motion replay of the Oswald shooting. "Just throw him over to the mob." Sterling Cooper's management doesn't care about Pete, Trudy says. His clients will follow him if he leaves the agency.

We last see Pete and Trudy in their apartment. Pete is wearing a turtle neck very similar to the one Duck wore during their brief lunch meeting from The Fog. This suggests that a bitter Pete has decided to join Duck. Also, after a news commentator has declared “Oswald dead,” Trudy suggests that Pete should gather his clients and take them to the new agency. Pete’s potential salvo against Sterling Cooper portends further disruptions in the Mad Men universe.

"I want to scream at you for ruining all this," Betty tells Don when she returns home. She's upset about the assassination, he responds. "I don't love you," she says. "I kissed you yesterday. I didn't feel a thing." She'll feel better tomorrow, Don says. "You can't even hear me right now," she says. "You're right," he replies, walking away.

Don, still wearing the same style of clothes as Oswald is further associated with the Kennedy assassination by Betty's remark blaming him for "ruining all this." Certainly, Oswald's actions contributed greatly to ruining America's innocence and forced it to "grow up." Note that Betty also uses the same word "ruin" that Margaret used to describe her wedding day plans.

As pointed out earlier, Betty very deliberately discards her blue scarf after her confrontation with Don as if to shed herself of a role she no longer desires to play.

The office is mostly dark when Don arrives. Only he and Peggy have come in. Peggy asks if Don wants to watch President Kennedy's funeral with her. He declines. Don walks into his office and pours a drink.

Don regards the photo of the white convertible in the Aqua Net ad. In the context of the scene, he and Peggy hope that the image of a moving convertible doesn't strike too familiar a cord with consumers when it airs. This is the same color as the car driven by Henry Francis. Thus, symbolically, Don is again being cast as Oswald while he regards the vehicle as did the shooter in the Texas School Book Depository. Pete is pitted against Ken and Don (though he doesn't know it yet) is being pitted against Henry Francis.

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Tuesday, November 03, 2009

The Patsy

Posted this to Basket of Kisses yesterday. Hopefully, I'll have my complete re-cap up today.

The question of how Mad Men would depict the Kennedy assassination (if at all) was finally answered in the The Grown-ups. While I was only two in 1963, from what my parents have related to me over the years, the episode really captured the feel of those few dramatic days in November.

The scene where Don and Betty watch Jack Ruby shoot Lee Harvey Oswald on live television struck a particular cord with me. When my father saw it happen, he called out “They shot him!” to my mother who was in the kitchen (the reverse of Don and Betty). According to my mother, the exact quote was ”They shot the son-of-a-bitch” (but that’s a minor point).

Pete Campbell’s reaction to the event is quite interesting. By remarking to Trudy such things as “Why even have a trial?” or “Just throw him over to the mob,” Pete seems to empathize with Oswald. In fact, I detected a deliberate effort in The Grown-ups to link Pete Campbell’s story with that of Lee Harvey Oswald.

...Read more at Basket of Kisses.

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